🔗 Share this article Siddharth Kara's The Zorg: A Review of Scarcely Imaginable Horrors at Sea Over the spanning nearly four centuries, the Atlantic slave trafficking system saw 12.5 million Africans trafficked from their homelands to the Americas. A staggering 1.8 million of those individuals died during the Middle Passage, enduring scarcely imaginable conditions of extreme confinement, filth, and illness. Some took their own lives by throwing themselves overboard, whereas still more were forcibly cast into the sea. A Tale of Two Stories In The Zorg, author Siddharth Kara presents two interconnected narratives. The first details a horrific incident aboard the namesake slave ship—the systematic drowning of 132 enslaved Africans by its British crew. The second story examines how this event came to influence the ending of the Atlantic slave trade in 1807, driven in large part by the relentless efforts of a coalition of committed campaigners. Among them was Olaudah Equiano, who authored one of the few surviving first-person narratives of the Middle Passage, calling it “a scene of horror almost inconceivable”. The Roots in Liverpool The account begins in Liverpool, a port city that at the peak of its prosperity was accountable for 40% of Europe's slave trade. Financing slavery was a highly profitable venture for not just the wealthy to the working classes. One such investor, William Gregson, accumulated his wages from his trade, invested them into the slave trade, and eventually became a prominent citizen and later mayor. Gregson provided the funds for the slave ship The William, which departed from Liverpool for West Africa in October 1780 under Captain Richard Hanley. Its cargo was filled with commodities like tobacco, firearms, knives, and so-called “India goods” such as chintz and cowrie shells—the shells being a common currency in the acquisition of human beings. A Ship Seized Around the same time, a Dutch slave vessel named the Zorg (later referred to by the British as the Zong) had left the Netherlands. With Britain at war with the Dutch in late 1780, the Royal Navy gave British ships permission to capture Dutch ships at sea—a de facto license for privateering. The Zorg was subsequently captured by a British captain and held off the Gold Coast. Meanwhile, Captain Hanley, on a slaving expedition, took aboard a fleeing British governor named Robert Stubbs, who had been expelled for corruption. The Nightmare Passage When Hanley arrived at Cape Coast Castle—a fortress with a vast holding cell beneath it—he assumed control of the captured Zorg. He proceeded to severely overcrowd it with enslaved people, placed a dozen of his own crew on board, and appointed Luke Collingwood, a ship's surgeon of dubious seamanship, its captain. In August 1781, the Zorg finally left Accra carrying 442 enslaved Africans, 17 crew members, and one depraved passenger: the former governor, Robert Stubbs. Kara is particularly skilled at using historical documents to bring to life the collective nightmare of being trafficked on a slave ship. The Zorg's journey was plagued with disaster. Dysentery swept through the vessel, followed by scurvy. The captain succumbed to sickness, became delirious, and appointed Stubbs. Thus, “a ship full of decay and death was being commanded by a passenger.” Kara effectively employs eyewitness accounts to illustrate of the unmitigated terror. The powerful testimony of Alexander Falconbridge, a doctor who became an activist, details how the enslaved people's skin was often worn down to the bone from lying on bare wood, their flesh pinched and torn between the planks. The Unspeakable Decision By late November 1781, the Zorg was still miles from Jamaica and critically short on water. The crew resolved to throw overboard a number of the enslaved Africans, who had already suffered through months of obscene conditions below deck. This monstrous act was not motivated by ensuring survival—the Africans had begged to be spared, even without water rations—but by cold economic greed. Maritime insurance policies did not cover losses from natural causes, but they would pay for cargo jettisoned out of “necessity” for the ship's safety. Over several days, the crew drowned “those Africans who would be worth less at auction”—the weak, the sick, along with women and children, even a baby born during the voyage. Insurance and Injustice Back in Liverpool, investor William Gregson was unhappy about the financial return on his investment. He submitted an insurance claim for £30 per drowned captive—a considerable sum in today's money. The insurers declined to pay. In March 1783, Gregson sued and was awarded a trial by jury, with his lawyers arguing that throwing the enslaved people overboard had been “necessary.” The Spark for Abolition According to Kara, “there is a direct line of causality between the public exposure of the Zorg murders and the first movement to abolish slavery in England.” Just twelve days after the trial, an published essay appeared in a widely read English newspaper. The author, who claimed to have attended the court proceedings, argued compellingly against slavery, using the Zorg case as a key illustration of its brutality. Olaudah Equiano saw the letter and took it to the activist Granville Sharp, who petitioned for a new trial. At the following hearing, the events on the Zorg were reviewed in forensic detail, precisely what the abolitionists had wanted. A Sustained Campaign In the spring of 1787, the initial group of the Society for Effecting the Abolition of the Slave Trade first met. Over the following years, they wrote letters, orated, lobbied tirelessly, and gathered evidence on the particulars of the slave trade. “Their efforts,” Kara writes, “would lay a blueprint for the pursuit of social justice.” After years of struggles, the Act for the Abolition of the Slave Trade was enacted in 1807. An Enduring Impact The debate over who or what deserves credit for abolition is contentious. The Zorg's legacy, however, is visibly evident in J.M.W. Turner's famous painting, The Slave Ship, which was based on the events of 1781. While slavery has been near-universal in human history, its abolition following a sustained mass campaign was historic, serving as an affirmation to the power of persistent activism, the pen, and unwavering persistence. The Author's Approach In contrast to his previous books—such as the acclaimed Cobalt Red—Kara has had to fill in certain lacunae in the historical record. Consequently, speculative passages sit awkwardly next to rigorously researched accounts, giving the book a somewhat chimeric feel. A blend of narrative suspense and part serious nonfiction, The Zorg nevertheless succeeds in illuminating one of history's most horrific episodes, using compelling prose and meticulous research to assemble a account that stays with the reader long after the final page.